Composed in 1906–1908 to a libretto by Hugo von Hofmannsthal, Elektra scandalized audiences of the day with its horrific retelling of the Greek story and its startling level of dissonance. Today, with the shock of the new worn off and the once-fearful dissonance now widely accepted, the score can be more easily appreciated for its extravagant invention of musical ideas and virtuosic use of instrumental sonorities to characterize both persons and actions. Further, in his use of a single germin…
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